ジンジャちゃんはわたしのしいにゅうですよ!

ジンジャちゃんはわたしのしいにゅうですよ!

Sunday, December 12, 2010

オモダカ!

きょうねん、バウリーボールムのジャパンナイトへいきました。日本のロックコンサートでした。バンドが3つありました。バンドは日本からニューヨークまでコンサートをしに来ました。とてもたのしいでした!バンドで、OMODAKAがいちばんすきでした。
I have been listening to the one CD of theirs that I bought at the concert over and over because I could never find anything of theirs in the United States. However, they seem to be getting more popular in the states now! The guy takes traditional Japanese folk music ("minyo") and remixes it using a synthpad and videogame soundboards. The concert was weird because it was basically a guy in a mask and traditional Japanese clothing and a woman singing through a television screen. Very cool.




このうたがわたしのいちばんすきです!”梅は咲いたか” です。The video is extremely bizarre and too trippy for me, but the song is awesome!The original song is an example of the type of music that was popular in big cities during the Edo period (called "hauta"), that evolved out of the tradition of Kabuki theater.





Here's an example of a performance of the original song:



Also there was Red Bacteria Vacuum (got an autographed towel!)

CHATMONCY
OKAMOTO'S (they were so cute)

and JinnyOops!


Sunday, December 5, 2010

さくばん 3

二十ねんごのわたし:

わたしはけっこんしたいですから、かぞくがあります。こどもがたくさんほしくないです。いぬもほしいです。ちいさいかぞくですが、とてもしあわせでしょう。わたしはじゅういでしょう。ニューヨークにしごとがたくさんありますから、ここにいます。ブルックリンがすきです。おおきいいえがほしくないです。アパートはいいです。いっかげつにコネチカットへりょうしんにあいにいきます。せいかつはおもしろいです。そしてたのしいです。

Wednesday, December 1, 2010

Katakana Analysis Final Draft

ビシャンバシャン, "splish, splosh" , Children's Book泳げカメレオンくん” / “Chameleon Swims”

 マグネシウム, "Magnesium", scientific journal, Tokyo Kagaku Kaishi

The modern Japanese language consists of three types of script: kanji, hiragana, and katakana. Among the three, katakana seems to be the most mysterious—while it is relatively easy to define the usage of kanji and hiragana, Japanese textbooks have found it very difficult to settle on a clear definition of katakana usage. In this analysis, I will investigate the origins and uses of katakana and look at its use in two specific circumstances.

Early Japanese writing consisted entirely of kanji adopted from Chinese around the 5th century. Over time, the language evolved by assigning different readings to these Chinese characters, creating the  –on and –kun readings that still exist in the Japanese language today. Katakana and hiragana, however, did not develop until the onset of the Heian period, around the 9th century. At this time, the study
of Buddhist texts written in Chinese was becoming popular among monks. Katakana originally developed as a sort of mnemonic shorthand for writing complex characters quickly and in a more simplified manner. Hiragana, which is used to write the same mnemonic alphabet and looks very similar to katakana, also developed at this time. Hiragana was regarded as a more aesthetically pleasing sort of cursive script. Of course, all three scripts are still used today, but one can arguably observe an ever-increasing amount of katakana being used in modern texts (Igarashi 16-22)

Upon considering the uses and function of Katakana in modern Japanese writing, one finds a number of opinions regarding the definitive use of the script. Indeed, a variety of definitions can be found across Japanese language textbooks. Yuko Igarashi presents what seems to be the most widely excepted definition in her paper entitled “The Changing Role of Katakana in the Japanese Writing System:
Processing and Pedagogical Dimensions for Native Speakers and Foreign Learners”. The description involves the categorization of Japanese words into three distinct groups, each of which is generally associated with one of the three scripts. The first of two of these categories, “kango”, which includes Sino-Japanese words (words derived from Chinese), and “wago”, or Japanese native words, generally correspond respectively to kanji and hiragana. The third class of words, “gairago”, are thought of as ‘loanwords’ to the Japanese language. However, katakana is unique in the sense that it can be used unconventionally in the place of both wago and kango for the sake of emphasis, onomatopoeia, or as an indicator of a unique speech pattern unlike the in the rest of the text (Igarashi iii-iv).

The first phrase that I chose came from a children’s book: “ビシャン、バシャン” (“splish, splosh”). Onomatopoeic phrases like it are usually written in katakana, and there are certainly a lot of examples in the list that the sum of our classes has generated.  It is not difficult to understand why onomatopoeias would be written in this special script - katakana separates them from the rest of a sentence to the same effect as capitalizing, italicizing, or adding an exclamation mark would do in English. Indeed, this particular use of katakana is often compared to italicization. The katakana script also indicates text that could have been said in an unusual way, for example, in a more elevated tone, different from the normal speech that borders it. In Japanese, the text not only differs by slant or boldness, but also by alphabet, making it stand out even more. Japanese contains an enormous amount of onomatopoetic words, and they certainly play a more prevalent role in the Japanese language than they do in English and most other languages.

The definition common to most textbooks, it seems, involves, at the least, the description of katakana as the script used for loanwords(aside from those from Chinese) and foreign names. This is probably because these are the major usages of katakana, especially in contemporary writings. It is evident that there is an ever-increasing amount of gairago finding its way into modern Japanese, and for each of these words, a Japanized version emerges, written in katakana. The list is extensive, as evidenced by the dozens of different loanwords that have been donated to our class list. What I found interesting was that the scientific journal article that I found, from Tokyo Kagaku Kaishi, presented the words for the elements in katakana (i.e. magnesium = マグネシウム, calcium = カルシウム, etc.) as opposed to kanji. The names of minerals and scientific names of plants and animals are written in katakana, which often come from Latin. If one looks at a timeline of the discovery of the elements, one finds that most elements discovered (roughly) before the 13th century generally have their own in kanji script (i.e., gold (), and copper ()), whereas most of the more recently discovered elements, certainly those discovered after the 18th century, such as uranium – “ウラン” (1841), magnesium (1808), calcium (1808), etc. are written in katakana. The elements discovered between the 13th and 18th century are a mixed bag, with the most important written in kanji, i.e. hydrogen, oxygen, nitrogen, and chlorine (all discovered during the 1760s-1770s). I am not sure what exactly to attribute this phenomenon to except perhaps that the relative obscurities of some elements to others (for example, oxygen is far more often referred to than, say, dysprosium, therefore it would make sense to assign it its own kanji which will be recognized often).  Whatever the cause may be, I think that this example illustrates perhaps the most important point regarding modern katakana usage. Katakana has evolved along with the spread of knowledge and the increasingly globalized academic world.

Outside of the academic world, katakana usage can often seem quite arbitrary. In many situations, the writing of a word is equally acceptable in katakana versus one of the other scripts. I’m sure this is why textbooks have difficulty coming up with a set definition. They may want to prevent readers from assuming that the rules regarding katakana usage are set in stone.

Links to sources: 

The Changing Role of Katakana in the Japanese Writing System:
Processing and Pedagogical Dimensions for Native Speakers and Foreign Learners


Elemental Discovery Timeline